Abstract. The form of the ideal city in its fifteenth-century iteration fundamentally coincides with the construction of an archaeological city, wherein the idea of Antiquity is measured not against the truth of material traces, but against a literature of traces suspended between source material and imagination. Yet, albeit devoid of the physical and graphic reassurance of authentic vestiges, the dreamlike act linking data interpretation to the principle of verisimilitude marks the very inception of the Western Classical narrative. This narrative matured within a refined society twelve hundred years later, where an extremely select milieu of intellectuals “trans-ported” the Greco-Roman Hellenistic experience into the present through the filter of the longue durée, rewriting its contents through new devices of formal processing aimed at constructing a new world – one endowed with a language that transfigured ancient grammar. Among these devices, the theatre constitutes the crucial interpretative mechanism of form (space) and life (action). Within it, representation becomes narration through a generative, dreamlike act. The backdrop-city against which the ideal impulse of the Renaissance contends – based on the literary traces of treatises and the always-allographic interpretation of ancient sources – is the Gothic city. Here, the presence of ancient artefacts is legible primarily as a palimpsest: a superposition and co-presence of elements that allowed Antiquity to survive, on the one hand, by being infiltrated by the Modern (the long Middle Ages) and, simultaneously, by infiltrating the urban structures of the Modern itself. The relationship between the ideal city and the invention of traces is the subject of this essay, developed through a specific concept of Antiquity – understood not as a historical phase contained within a Delta T, but as the temporal extension of an archaeology of invention, which is nothing other than the archaeologyof architects.

LITERARY TRACES, DREAMLIKE TRACES . THE IDEAL CITY AND THE INVENTION OF ARCHAEOLOGY* / Caliari, P.F., Cattiodoro, S.. - ELETTRONICO. - (2026), pp. 38-49. (CITY RENEWAL AND URBAN ARCHAEOLOGY. The morfphological values of city traces. BOOK OF PROCEEDINGS NAPOLI 19-21 Febbraio 2026).

LITERARY TRACES, DREAMLIKE TRACES . THE IDEAL CITY AND THE INVENTION OF ARCHAEOLOGY*

CALIARI, pIER fEDERICO;
2026

Abstract

Abstract. The form of the ideal city in its fifteenth-century iteration fundamentally coincides with the construction of an archaeological city, wherein the idea of Antiquity is measured not against the truth of material traces, but against a literature of traces suspended between source material and imagination. Yet, albeit devoid of the physical and graphic reassurance of authentic vestiges, the dreamlike act linking data interpretation to the principle of verisimilitude marks the very inception of the Western Classical narrative. This narrative matured within a refined society twelve hundred years later, where an extremely select milieu of intellectuals “trans-ported” the Greco-Roman Hellenistic experience into the present through the filter of the longue durée, rewriting its contents through new devices of formal processing aimed at constructing a new world – one endowed with a language that transfigured ancient grammar. Among these devices, the theatre constitutes the crucial interpretative mechanism of form (space) and life (action). Within it, representation becomes narration through a generative, dreamlike act. The backdrop-city against which the ideal impulse of the Renaissance contends – based on the literary traces of treatises and the always-allographic interpretation of ancient sources – is the Gothic city. Here, the presence of ancient artefacts is legible primarily as a palimpsest: a superposition and co-presence of elements that allowed Antiquity to survive, on the one hand, by being infiltrated by the Modern (the long Middle Ages) and, simultaneously, by infiltrating the urban structures of the Modern itself. The relationship between the ideal city and the invention of traces is the subject of this essay, developed through a specific concept of Antiquity – understood not as a historical phase contained within a Delta T, but as the temporal extension of an archaeology of invention, which is nothing other than the archaeologyof architects.
2026
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11583/3012412
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