In the circumscribed area of ancient architecture, drawing, understood as reading and interpretation also "measured" of the ruins, identifies as the ratio between reality and specular form present in the human mind, posing as a guarantee of the existence of a past, sometimes also glorious. Tracking down and recalling all forms of representation and communication of the antique ("from pencil to mouse"), we want to reiterate the importance and effectiveness of drawing not only as a vehicle for knowledge, but above all as a language that tends to exegesis of the archaeological remains to interpret them and pass on their memory.
Il disegno dell’antico come metafora di conoscenza, comunicazione e conservazione della memoria/The drawing of the antique as a metaphor of knowledge, communication and conservation of memory / Netti, Rossana. - STAMPA. - (2019), pp. 847-854. (Intervento presentato al convegno 41° Convegno Internazionale dei Docenti delle Discipline della Rappresentazione. tenutosi a Perugia nel 19-21 Settembre 2019).
Il disegno dell’antico come metafora di conoscenza, comunicazione e conservazione della memoria/The drawing of the antique as a metaphor of knowledge, communication and conservation of memory
netti rossana
2019
Abstract
In the circumscribed area of ancient architecture, drawing, understood as reading and interpretation also "measured" of the ruins, identifies as the ratio between reality and specular form present in the human mind, posing as a guarantee of the existence of a past, sometimes also glorious. Tracking down and recalling all forms of representation and communication of the antique ("from pencil to mouse"), we want to reiterate the importance and effectiveness of drawing not only as a vehicle for knowledge, but above all as a language that tends to exegesis of the archaeological remains to interpret them and pass on their memory.Pubblicazioni consigliate
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https://hdl.handle.net/11583/2759857
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