Archivio Istituzionale della RicercaBetween the Sixties and the Seventies the image of the city was the means of assessment for the assess a cultural defence of New York and at the same time, through the representation of architectures, a powerful system for social taxonomy. This work aims to explore how the New Yorker’s satirical line was able to influence and at the same time capture that view of the city which, in the same years investigated by this study, had an important role in the process of identity setting in northern American cities.
The satirical line. The image of the city as a cultural and social paradigm through the New Yorker’s cartoons 1968-1978 / Campobenedetto, Daniele. - STAMPA. - (2014), pp. 209-218. (Intervento presentato al convegno Image (III). Images of the city tenutosi a Istanbul nel 31 ottobre-1 novembre 2013).
The satirical line. The image of the city as a cultural and social paradigm through the New Yorker’s cartoons 1968-1978
CAMPOBENEDETTO, DANIELE
2014
Abstract
Between the Sixties and the Seventies the image of the city was the means of assessment for the assess a cultural defence of New York and at the same time, through the representation of architectures, a powerful system for social taxonomy. This work aims to explore how the New Yorker’s satirical line was able to influence and at the same time capture that view of the city which, in the same years investigated by this study, had an important role in the process of identity setting in northern American cities.
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https://hdl.handle.net/11583/2527518
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