Organized as part of the international exhibition Italia ’61 with the aim of offering the public a reflection on the evolution of Italian society over the preceding sixty years, the exhibition Moda Stile Costume was distinguished by an evocative setting designed by architects Roberto Gabetti, Aimaro Isola, Giorgio Raineri and Augusto Cavallari Murat, in collaboration with the sculptor Franco Garelli. The design proposal featured a free composition of veils, in dialogue both with the concrete shell-roof of the palazzo delle Mostre and with the environmental installations conceived by Franco Garelli. This approach allowed the architects to address the vast interior space of the building while capturing the playful and ironic spirit of the exhibition and its contents. A nuanced interpretation of the alternating souls of post-war Turin – where the scientific rigor of industrial expansion coexisted with the whimsical impulses of its peculiar intellectual milieu – the exhibition represents the result of a collaborative effort that involved architects, intellectuals, artists, and entrepreneurs. In doing so, it offered a cross-section of Turin’s cultural life during the Italian economic miracle.

Un'architettura autre: l’allestimento per la mostra Moda Stile Costume a Italia ’61 / Ghoddousi, Leone Carlo. - In: OPUS INCERTUM. - ISSN 2035-9217. - 10:(2024), pp. 48-55. [10.36253/opus-15834]

Un'architettura autre: l’allestimento per la mostra Moda Stile Costume a Italia ’61

Leone Carlo Ghoddousi
2024

Abstract

Organized as part of the international exhibition Italia ’61 with the aim of offering the public a reflection on the evolution of Italian society over the preceding sixty years, the exhibition Moda Stile Costume was distinguished by an evocative setting designed by architects Roberto Gabetti, Aimaro Isola, Giorgio Raineri and Augusto Cavallari Murat, in collaboration with the sculptor Franco Garelli. The design proposal featured a free composition of veils, in dialogue both with the concrete shell-roof of the palazzo delle Mostre and with the environmental installations conceived by Franco Garelli. This approach allowed the architects to address the vast interior space of the building while capturing the playful and ironic spirit of the exhibition and its contents. A nuanced interpretation of the alternating souls of post-war Turin – where the scientific rigor of industrial expansion coexisted with the whimsical impulses of its peculiar intellectual milieu – the exhibition represents the result of a collaborative effort that involved architects, intellectuals, artists, and entrepreneurs. In doing so, it offered a cross-section of Turin’s cultural life during the Italian economic miracle.
2024
File in questo prodotto:
File Dimensione Formato  
05_Opus_X_2024.pdf

accesso aperto

Tipologia: 2a Post-print versione editoriale / Version of Record
Licenza: Creative commons
Dimensione 662.31 kB
Formato Adobe PDF
662.31 kB Adobe PDF Visualizza/Apri
Pubblicazioni consigliate

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11583/3007960