Scientific Session Coordinator of the Conference. Museums at the ‘Post-Digital’ Turn is a major international symposium organized by AMACI – the Association of Italian Contemporary Art Museums and OGR – Officine Grandi Riparazioni to address a transversal reflection on contemporary art museums and the radical changes in the ways of producing and viewing artworks. The symposium aims to deal with a crucial aspect of our time, one which has led to a radical change in the ways of producing and viewing artworks, placing the contemporary art museum before the need for an in-depth and transversal reflection. Over the last decade, the interconnections between networks and digital mediation have become tangible components of everyday life. These dimensions have become naturalised in our way of thinking about existence in a vision of the world that envelops the totality of contemporary living, from our relationship with objects to the ramified structuring of social dynamics. Art and the art system have taken this change on board – the so-called ‘post-digital turn’ – by setting up a process of substantial transformation.
Museums at the "Post-Digital" Turn / Peruccio, PIER PAOLO. - STAMPA. - (2017), pp. 1-33. (Intervento presentato al convegno Museums at the "Post Digital" Turn tenutosi a Torino nel 03-04 novembre 2017).
Museums at the "Post-Digital" Turn
Pier Paolo Peruccio
2017
Abstract
Scientific Session Coordinator of the Conference. Museums at the ‘Post-Digital’ Turn is a major international symposium organized by AMACI – the Association of Italian Contemporary Art Museums and OGR – Officine Grandi Riparazioni to address a transversal reflection on contemporary art museums and the radical changes in the ways of producing and viewing artworks. The symposium aims to deal with a crucial aspect of our time, one which has led to a radical change in the ways of producing and viewing artworks, placing the contemporary art museum before the need for an in-depth and transversal reflection. Over the last decade, the interconnections between networks and digital mediation have become tangible components of everyday life. These dimensions have become naturalised in our way of thinking about existence in a vision of the world that envelops the totality of contemporary living, from our relationship with objects to the ramified structuring of social dynamics. Art and the art system have taken this change on board – the so-called ‘post-digital turn’ – by setting up a process of substantial transformation.File | Dimensione | Formato | |
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https://hdl.handle.net/11583/2705085
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