This work started from one questions: Do architects use their ears while drawing a public urban space? In other words, are we aware of how an urban space sounds, as we are aware of how it looks like? By means of sounds recorded at night in different urban spaces and a three-session listening test, this work investigated urban shapes recognition through the perception of reverberance and the listeners’ characteristics that work as factors of influence. A translations trough drawings of the sound perceived showed that is not always possible to represent a unique way to translate a sound into graphic signs.
Drawing the city with the ears. Urban spaces comprehension and design through auditory perception / Calleri, Cristina; Rossi, Laura; Astolfi, Arianna; Armando, Alessandro; Shtrepi, Louena; Bronuzzi, Fabrizio. - In: ENERGY PROCEDIA. - ISSN 1876-6102. - 78:(2015), pp. 19-24. [10.1016/j.egypro.2015.11.104]
Drawing the city with the ears. Urban spaces comprehension and design through auditory perception
CALLERI, CRISTINA;ASTOLFI, Arianna;ARMANDO, ALESSANDRO;SHTREPI, LOUENA;BRONUZZI, Fabrizio
2015
Abstract
This work started from one questions: Do architects use their ears while drawing a public urban space? In other words, are we aware of how an urban space sounds, as we are aware of how it looks like? By means of sounds recorded at night in different urban spaces and a three-session listening test, this work investigated urban shapes recognition through the perception of reverberance and the listeners’ characteristics that work as factors of influence. A translations trough drawings of the sound perceived showed that is not always possible to represent a unique way to translate a sound into graphic signs.File | Dimensione | Formato | |
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Calleri et al_Energy Procedia_2015.pdf
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https://hdl.handle.net/11583/2649104
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