Skin and plant. The mask of the city

Society and man are configured within a city where reality seems opposite, dystopian and destructive. The production of uncertainty that Bauman describes is closely linked to the logic of signs, codes, and forms. A liquid society, where semantic functions affirm the paratactic construction of a scarred world. The units of a rhizomatic phylogenesis of the earth unfold, through the wrinkles of time, a skin in continuous change. The past is metaphors, the image of the world is a skin that in its linguistic and physiological absolution dialogues with the living archaeology that it represents.