Reflexión sobre la elaboración de un modelo tridimensional único de las pinturas góticas de la iglesia de San Miguel de Daroca (Zaragoza) y su posterior difusión al público

In this paper we present a reflection on the use of the convergent photogrammetry technique for the realization of a unique model of the Gothic paintings of the church of San Miguel de Daroca (Zaragoza), which are currently divided among those that are still preserved in the apse of the church and those that were teared from the wall in the 40s of the last century and that are currently in the Provincial Museum of Zaragoza, divided into two different canvases that do not allow their contemplation in the original position in which they were made or in relation with those that are still in the apse. This work is added to the one already carried out by the Campo de Daroca Foundation for the digitization of all the mural painting and completes that of the mural gothic paintings of the Romanesque apse of the Ex-Collegiate of the Corporales de Daroca and provides a reflection on the importance that the operator acquires in the realization of a three-dimensional model that will be made available to the public.