Enhancement of the cultural heritage is not simply a matter of preserving material objects but comes full circle only when the heritage can be enjoyed and used by the community. This is the rationale behind this presentation: the application to exploring projects for the building complex of Foro Mussolini in Littoria (now Latina), by the architect Oriolo Frezzotti. Starting with consistent iconographic documentation integrated with bibliographic research and comparison with similar cases, the historical process was retraced and interpreted, reconstructed three-dimensional hypotheses of the figural unity were formulated, and interactive application was created. The application refers to the area of “virtual restoration”, the only possibility for non-material histories and works, a field in which visual technologies can prolong the critical “eye” to which recomposition of the figural combination is entrusted.
Visual Technologies and Virtual Restoration. The Foro Mussolini (1939-1941) by Oriolo Frezzotti in Littoria, Latina (Italy) / Calvano, Michele; Ippoliti, Elena. - (2015), pp. 687-690. (Intervento presentato al convegno 2015 Digital Heritage International Congress) [10.1109/DigitalHeritage.2015.7419599].
Visual Technologies and Virtual Restoration. The Foro Mussolini (1939-1941) by Oriolo Frezzotti in Littoria, Latina (Italy)
Michele Calvano;
2015
Abstract
Enhancement of the cultural heritage is not simply a matter of preserving material objects but comes full circle only when the heritage can be enjoyed and used by the community. This is the rationale behind this presentation: the application to exploring projects for the building complex of Foro Mussolini in Littoria (now Latina), by the architect Oriolo Frezzotti. Starting with consistent iconographic documentation integrated with bibliographic research and comparison with similar cases, the historical process was retraced and interpreted, reconstructed three-dimensional hypotheses of the figural unity were formulated, and interactive application was created. The application refers to the area of “virtual restoration”, the only possibility for non-material histories and works, a field in which visual technologies can prolong the critical “eye” to which recomposition of the figural combination is entrusted.Pubblicazioni consigliate
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https://hdl.handle.net/11583/2732440
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